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dc.contributor.advisorMaceira Ochoa, Luz
dc.contributor.authorNurzia, Olivia
dc.date.accessioned2017-09-06T14:21:14Z
dc.date.available2017-09-06T14:21:14Z
dc.date.issued2015-05
dc.identifier.otherhttp://dx.medra.org/10.7404/eiuc.ema.20132014.02
dc.identifier.urihttps://doi.org/20.500.11825/231
dc.descriptionSecond semester University: University of Deusto, Bilbaoen_US
dc.description.abstractThe overall objective of this thesis is to analyse from a theoretical point of view, the potentiality of human rights films as an effective means of symbolic reparations. Since the late 1980s human rights films emerged as an independent strand in the field of cinema and became a powerful tool for the promotion of human rights. Human rights films influence the public opinion and encourage the participation in relevant debates for the society. Ultimately, human rights films represent a significant support for the construction of social memory which is a process vital to a well-functioning democracy. The thesis will draw on the specific context of Argentina and it will illustrate, through the analysis of two films, the relationship between social memory with a gender perspective and human rights films.en_US
dc.language.isoenen_US
dc.publisherEIUCen_US
dc.relation.ispartofseriesEuropean Master’s Degree in Human Rights and Democratisation, EIUC. Awarded Theses 2013/2014;
dc.subjectfilmen_US
dc.subjecthuman rightsen_US
dc.subjectmemoryen_US
dc.subjectArgentinaen_US
dc.titleMemory, human rights films and symbolic reparations : a case study on the new Argentine cinemaen_US
dc.typeThesisen_US


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